Experimenting with Criticism
In An Experiment in Criticism, C.S. Lewis introduces the idea that, rather than sort through the opinions of literary critics for best books, we may consider what books the best readers choose. He goes on to develop a clear comparison between best and worst readers that is a telling criticism of the read-and-answer-questions approach to literature of many educators. Flannery O’Connor would be pleased.
In a nutshell, poor readers (the majority):
Read only if there’s nothing else to do
Don’t read a book more than once
Remain unaffected by what they read
Use the book for their own purposes
Expect to be able to read a book hastily
Read only by eye
Better readers, on the contrary:
Read for pleasure
Will read a loved book over and over
Are deeply affected
Are receptive to what the author gives
Are willing to read slowly
Read with interior hearing of the words (this can be taught, btw)
He makes points worth noting about the quality of imagination necessary for good reading:
He discusses ‘stylemongers’, errors of mis-reading among the literate, fantasy, writing for children, the study of poetry, and the problem of protecting children from bad literature.
He ends – no surprise – by questioning whether literary criticism (so variable with the fashions of the times) is a worthy basis for choosing books. Surrender to the work is needed for the reception of it. (I am reminded of Fr. Luigi Giussani’s book, The Risk of Education.)
I would consider this important reading for parents and teachers, primarily because your own reading is likely to be of the majority type. It may be hard to be shown that you read poorly, or in a shallow fashion, but better to learn it and not foist that upon your kids. Those teachers who are, themselves, poor readers, are the most likely to lean upon resources that insist a book be read to get the point, outline the plot, and answer insipid questions rather than to be experienced, enjoyed and loved.